Hard Times Come Again No More Kate Wolf
The best voice in Americana, Folk: Kate Wolf. Song Give yourself to love This unauthorised page virtually vocaliser songwriter Kate Wolf does not supply complimentary download or mp3 or costless cd no lyrics hither or whatever. Anyone interested in Wolf'southward music and songs is invited to contact me. alt Kate Wolfe Kate Wolve Kate Wulf Katey Wolf Breezes Lionell Killberg
My favourite vinyl:
KATE WOLF - Her debut 1973 LP
Kate Wolf (1942-1986) recorded her first album in 1973. A outcome of a adventure meeting with 'erstwhile' folkie Lionel Kilberg (1930-2008), who was traveling beyond the state. In a day or 2 they composed 12 songs and recorded them prompt.
Information technology was released equally Volume 6 of Lionel's series "Sociologically Singing" equally the (mono!) LP "Nosotros Walked By The H2o" on the independent Shoostryng label.
Kilberg (picture show left) had recorded as one of The Shanty Boys in 1958 for Elektra and been function of the New York folk scene in the Village days of the early sixties. From that menstruum he knew Gil Turner (1933-1974), present best known as a footnote in Bob Dylan hagiographies: Turner recorded in 1962 with the young Robert 'Blind Boy Grunt' Zimmerman.
When Kilberg ran into Gil 'Jellyroll' Turner in 1973, Kate Wolf sang and played with Turner. (A beautiful cover by Kate Wolf of Turner's signature vocal, "Deport It On", an impressive folk anthem, would much later be released in a KPFA alive version on a 1996 posthumous released Kate Wolf album.)
So Lionel and Kate recorded with a trivial help of Kate's partner Don Coffin their 12 songs. It was to exist Kate's showtime album. Though... this album should not exist considered a Kate Wolf album, at least that's what the Wolf heirs desire us to believe. See Wolf family unit excuse.
Simply to me this is a genuine Kate Wolf album. Information technology is largely a Kate Wolf album with Lionel's accompaniment. Kate is prominent: these are her melodies, and -most of all- this is her voice. One of the finest voices ever in Americana folk/ singer songwriters.
Some of these sober, clean & instant recorded songs have great strength: 'Y'all', 'Assistance', 'Sonja F' and 'Breezes' are excellent. Kate at her all-time: this matches her all-time album, 'Poet'southward Heart' (1985).
It's a pity that the collection contains no more than 12 short songs, not much more than one-half an 60 minutes of music. The lyrics may not have been written by her, but some could take been hers, with subjects similar bums, music, traveling, freedom, nature. Themes she later frequently would use in her own lyrics.
The album is non easy to find, but if y'all effort hard you should be able to observe it at a fair price. I was lucky to detect a mint re-create at eBay for a few dollars (shipping the LP to Europe still was more than the price the seller asked for the vinyl).
It was also released on cd in 1995, past Gadfly, a singer-songwriters label; cd title: "Breezes".
I prefer the original vinyl though, in the beautiful sleeve with the brownish picture.
Liner Notes (past Lionel Kilberg) and LP information
We WALKED BY THE H2o
Lionel Kilberg and Kate Wolf with Don Coffin
Sociologically Singing Volume 6
Dedicated to Gil (Jellyroll) Turner who brought us together for a concert in San Francisco
Lyrics By Lionel Kilberg
Music By Kate Wolf
This album could take many names and might have well never happened. I think that this fits the thought behind the vocal 'Breezes' that is in this collection and talks of the unexpected breezes that help make the big decisions in life for us. I was on my annual xv,000 mile singing and playing and writing trek around the country and had written seven songs by the time I arrived in San Francisco. I had expected many things(anecdotes to exist recounted elsewhere). I heard virtually a folk-music campout at Kirby Cove, a place that I could fill up this page with descriptions of. Information technology's beautiful, peradventure every bit much for the members of our folk family that I shared it with as for its natural dazzler. Well, anyway, at that place I met that jovial mount of song Gil (Jellyroll) Turner, whom I hadn't seen in x years and afterward a half hr of lying, swearing and making music, he signed me for two appearances with him. The group 'Gil (Jellyroll) Turner and the Donut Holes.' I, equally y'all have probably guessed was ane of the holes. Two others were Don Coffin and Kate Wolf.
I gauge you're start to see the signal of the story. We liked each other instantly and kept talking near working together. Kate is a songwriter and offered to write melodies for any lyrics that I hadn't finished tunes for. Finally, with 1 twenty-four hour period left in San Francisco, nosotros bundled for me to go to their home, Sebastopol, and once there, Kate picked twelve of the lyrics that I had with me that needed melodies. Some of them had been written on the trip out. She wrote all of the melodies that afternoon. A neighbor of theirs, Phil Bray, a professional photographer, shot a roll of pictures of u.s. for a cover picture, and we establish Dan Dugan and his recording studio on 22nd Street in San Francisco. Dan was able to offer constructive and objective aid in the actual recording of this album. He made himself and his studio available at a price that reflects dearest for music and musicians. In three hours that first night we laid down the basic tracks for the 12 songs. Kate sang the leads because she was the only one who actually knew the melodies and because she has a cute vocalisation and a convincing smiling. The next night nosotros went dorsum and did the overdubs. These liner notes were written that day and I slept for iv hours and left on the adjacent forenoon for the East Coast. I oasis't seen Don and Kate since, merely I will run into them and we volition write and record together over again. I hope that y'all people out there will feel the beauty of these people while you're listening. Enjoy, relish, relish, and thank you for reading me.
Lionel Kilberg
1. We WALKED Past THE WATER - A chronicle of alter as seen past someone looking back at the good old days. Isn't it odd that for a whole generation, these days are the proficient old days.
2. EQUALITY - Means different things to different people. I've discussed it with people for twenty years it's hard to call up 2 people who didn't limit, categorize or in some way effort to ready controls on the equality of others.
iii. LIBERATION - from annihilation requires the giving upwards of certain privileges inherent in the system being escaped. Sometimes we struggle to escape from things and practices that we desperately need and desire. Accept we the strength to accept the price of 'Liberation'?
4. I'M 82 - What does one exercise when one is alone and quondam? A mind whose cocky image remains always relatively young, trapped in a failing trunk and surrounded by disinterested strangers who are afraid to confront the image of their own time to come and thus decline or misread.
v. HELP - In New York Metropolis and many other cities, one sees alcoholics lying in some streets. People step over them, ignore them and their pleas for aid and more often than not dismiss them equally non-existant (non-people).
6. You - Are at that place always besides many cute honey songs? This is for the special woman in my life wherever she may be
7. BREEZES - How many times accept y'all fabricated a major decision in your life considering of a minor incident that blew suddenly across your life experience borne on i of these breezes.
8. NEVADA - This is a true story which I experienced not three weeks agone (late May 1973) and wrote the song a few miles later.
9. YOU CAN'T GO Dorsum - We always try, but information technology's always painful and rarely works. The chapter ends and never more reads the aforementioned.
ten. At that place ARE NO MEDALS FOR LONELINESS - This theme has been written since the first appearance of separation of people and gave birth to blues , torch songs and anti-state of war songs. It doesn't stop people from beingness separated but information technology gives them a manner to share their feelings about information technology.
11. IT Simply TAKES - I've often thought, how little it takes to unbalance our reality. For one person, one family, one town, one land, one world. A vocalisation for love or an unhappy cry of hate.
12. SONJA FROMEROVA - Dear Sonja, please forgive me. In 1963 or 4, I received a telephone call from a phonation that identified herself as Sonja Fromerova. She was a friend of a friend who needed some information. Her name and her voice inspired this lyric, which I showed her on our one face to confront meeting. She then was to go out the country for Canada.
Cast OF MUSICAL CHARACTERS
KATE WOLF
Vocalism on 1,two,3,4,five,6,7,viii,9,10,eleven,12
Guitar on 1,two,iii,4,5,6,7,8,9,10,xi,12
LIONEL KILBERG
Voice on 1,nine,10,11
Kazoo on iii,8
Bass on 1,2,3,four,5,6,7,8,nine,x,11,12
DON Bury
Vocalization on ane
Mandolin on 1,2,three,8,9,11
Harmonica on four,5,6,10
Guitar on 7,eight,10,11,12
KATE WOLF - Singer, songwriter and rhythm guitarist. Born in San Francisco and raised in Oregon, Michigan and Berkeley California. Writing and performing regularly in and around San Francisco since Jan 1971. Drawing from a lifelong dearest of singing, a musical grandmother, fortunate coincidences, and many supportive friends and musicians along the fashion.
DON Bury - Plays guitar, mandolin and harmonica. Born and raised in rural northern California. Has been performing locally solo and with groups since 1968. Always interested in music as a means of communication and self-expression.
Embrace Photo: Phil Bray
Left to right: Don Coffin, Kate Wolf, Lionel Kilberg
SHOOSTRYNG RECORDS
220 E. 2d STREET
NEW YORK, N.Y. 10009
(c) One thousand van der Hoeven, Eindhoven NL, (c) 2008
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